The event
„Szívem lelkem" is Veréb Tamás's current concert tour: an intimate, Hungarian-language series. The production is contemporary yet tradition-aware — the vocal is at its centre, supported by the sound rather than overpowered by it.
The tour launched in 2026 and is currently running. The venues are mostly theatres and event spaces, with occasional appearances in church settings.
Pantheon Sound's role
For the tour, Pantheon Sound provides the full audio package — typically everything except the venue PA system. At the tour stops the PA is usually delivered and operated by the venue's own contracted audio service provider — this is the touring standard approach: the room and the PA are best known by the local provider, while tour consistency is delivered by our own rig. At some stops, however, we supply the entire system, including the audience PA — the Kecskemét stop being one example.
At every stop we provide a dedicated FOH and monitor engineer; on request, the lighting crew is also delivered by us. The tour features a varying number of guest vocalists at every stop — typically one to three — and we set up their microphone channels, monitor mixes and wireless RF allocation at each venue, so that the right stage conditions are in place for them as well.
The basis of tour consistency is a stable in-house rig: the same FOH and monitor consoles, the same stagebox and network backbone, the same IEM and RF infrastructure at every stop — and one of the tour's signature tools: a KLANG 3D immersive monitor mix processor across the entire run. The mix starting point (session template, base routing) is also carried over, and every sound check at every stop starts from there — adapted to the room acoustics, the backline and the PA delivered by the local provider.
Technical setup
The tour rig is a single integrated package — Yamaha DM7C FOH, Behringer Wing monitor console, KLANG 3D immersive monitor processing, Audio-Technica ATW-3255 IEM, RF Venue and Shure RF infrastructure, Yamaha Rio3224-D2 stagebox, on an Alta Labs Switch-based Dante network. At the tour stops the PA system is typically delivered and operated by the venue's own contracted audio service provider, and our rig is matched to it; at some stops — such as Kecskemét — the entire audience PA is supplied by us as well.
- FOH console
- Yamaha DM7C — touring-grade digital FOH
- Monitor console
- Behringer Wing
- IEM system
- Audio-Technica ATW-3255 — wireless in-ear monitoring
- Immersive processor
- KLANG — standalone rack unit, 3D in-ear mix processing for the band, on Dante
- Stagebox
- Yamaha Rio3224-D2 — Dante networked audio
- Network
- Alta Labs Switch — backbone of the Dante network between FOH and stage
- HD supplement
- hard disk supplemental audio via Dante Virtual Soundcard — arrives at the consoles fully digital, with no AD/DA conversion
- Microphones
- Audix D6, Shure SM57, SM58, Beta 91A, Beta 98A, Beta 57A, Beta 58A; sE Electronics sE8; Austrian Audio OC707 condenser capsule on the Shure SLXD wireless system
- DI boxes
- Rupert Neve RNDI
- RF — vocal microphones
- Shure UA844 (UA844+SWB) 4-channel antenna distribution + active Shure UHF directional antenna (UA874)
- RF — IEM
- RF Venue Combine 4 IEM combiner + RF Venue CP Stage antenna
- Effects processor (occasional)
- Universal Audio (UAD) effects processor — used at FOH on some tour stops
- PA system
- typically delivered and operated by the venue's own contracted audio service provider, with our touring rig matched to it (touring standard); at some stops — e.g. Kecskemét — the full audience PA is supplied by Pantheon Sound: a PS Audio CX line array with an 18" sealed subwoofer
- Audio engineering staff
- dedicated FOH and monitor engineer at every stop; on request, lighting crew also provided
Monitor architecture — KLANG
One of the keys to the tour is the monitor architecture: the band's IEM mixes run through a KLANG immersive processor. KLANG is a professional 3D personal monitor mix processor — it places each musician's in-ear mix in three-dimensional space.
The point of the 3D approach is precise spatial imaging: creating depth and distance through the in-ear system. The goal is for the performers to feel as comfortable as possible on stage, with every condition in place for the best possible performance. This is a reference-grade tool on international tours but is more rarely seen in Hungary.
KLANG is a standalone rack unit and connects to the Yamaha Rio3224-D2 stagebox and the Behringer Wing monitor console over Dante. Personal monitor mixes are built individually for every musician during rehearsals — the key to tour consistency is that the same mix map travels to every venue.
Highlighted stop — Debrecen Reformed Great Church
One of the tour's highlighted stops was the performance at the Debrecen Reformed Great Church — the historical principal church of Hungarian Calvinism, an acoustically very demanding space.
The long reverberation time of the great church is a particular challenge in popular music: vocal intelligibility and the separation of the low-end foundation are the key issues. We adapted the FOH mix and the monitor mixes to the room acoustics — the task was a careful level balance, keeping the overall sound within the room's tolerance while ensuring that the drums, the stage's loudest acoustic source, do not dominate at the expense of the other instruments. The tour's signature sound was preserved in the church space.
After the concert, direct recognition came to the FOH position from the audience: several attendees personally expressed their thanks for the sound and for the experience.
Highlighted stop — Katona József National Theatre, Kecskemét
Another of the tour's highlighted stops was the concert at the Katona József National Theatre in Kecskemét — an ornate, late-19th-century neo-baroque theatre that is one of the city's architectural landmarks, with a multi-tier box auditorium and a full house.
Unlike the tour's touring standard, for this stop the entire audio system — including the audience PA — was supplied by Pantheon Sound. A theatre's installed system is typically optimised for spoken-word, dramatic use; a live concert of this scale calls for a dedicated concert PA, so we provided that as well: a PS Audio CX line array with an 18" sealed subwoofer. The FOH and monitor consoles, along with the full network and IEM infrastructure, remained the usual touring rig — so the character of the sound on our own PA was exactly the same as at the other stops of the tour.
On the Yamaha DM7C FOH console the stop's own scene was running — the travelling session template is adapted to the room at every venue, with the level kept under control through real-time SPL and spectrum monitoring. The concert's guest was Venczli Zóra, the theatre's resident actress — performing as a guest on her own home stage; we fitted her microphone and monitor needs into the tour's RF and IEM framework. We received excellent feedback on the production from both the audience and the organisers.
The complete touring rig — extended with our own audience PA — performed as a single integrated system in the ornate hall.
Precursor — standalone Győr performance, 2024
The first public performance of the „Szívem lelkem" repertoire took place in 2024 at the Győr National Theatre. It was a standalone concert — a precursor to the 2026 tour, not part of it.
The 2024 Győr show was delivered on the Győr National Theatre's own in-house audio system; Pantheon Sound provided the audio engineering work. The KLANG immersive monitor processor and the full in-house touring rig only entered the production with the 2026 tour launch — the experience from the 2024 show became one of the starting points for the tour rig design, but the tour itself only formally launched in 2026.
Video
Veréb Tamás "Szívem lelkem" tour — concert footage
Gallery
Photo: Földi Cintia
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