Our references
Pantheon Sound's projects span several areas — from music festivals through international sports competition finals to dance competitions and music productions. Below are a few real-world projects.
Concert tour
Veréb Tamás — "Szívem lelkem" tour
Full touring audio package excluding the venue PA — FOH, monitor, IEM, RF infrastructure
On Veréb Tamás's "Szívem lelkem" tour, the stops are different theatres and event venues — varying sizes, different room acoustics and a different PA system at each venue. The challenge: the same character, the same vocal forwardness and the same low-end foundation in every venue, regardless of the room size or the venue-supplied PA. One team, one stable rig, varying venue PA — this is the touring standard, and what we have to deliver is its consistency.
Apart from the venue PA, we provide the entire technical side: Yamaha DM7C FOH, Behringer Wing monitor console, Audio-Technica ATW-3255 IEM system, KLANG standalone immersive processor for the band's 3D in-ear mixes, Yamaha Rio3224-D2 stagebox on an Alta Labs Switch-based Dante network, Rupert Neve RNDI DI boxes. On the RF side, vocal microphones run on a Shure UA844 antenna distribution with an active Shure UHF directional antenna (UA874); the IEM system uses an RF Venue Combine 4 combiner and an RF Venue CP Stage antenna. On some stops we also use a Universal Audio (UAD) effects processor at FOH. At the tour stops the PA system is typically delivered and operated by the venue's own contracted audio service provider, with our touring rig matched to that; at some stops — such as the Katona József National Theatre in Kecskemét — the entire audio system, including the audience PA, was supplied by Pantheon Sound. A dedicated FOH and monitor engineer travel with the tour; on request, the lighting crew is also provided by us.
The tour formally launched in 2026; the rig design tested at the 2024 pilot stop in Győr forms the basis of the entire 2026 run. The tour is currently running — based on the feedback from the stops so far, including the concerts at the Debrecen Reformed Great Church and the Katona József National Theatre in Kecskemét, the rig design performs reliably. We continue to receive ongoing trust from the tour's management; the setup serves as a template for our other band-rental engagements.
Festival
Reformed Music Festival
Four parallel downtown venues, one festival weekend — recurring engagement since 2023
The Reformed Music Festival (RZF) is organised by RKK — the Reformed Public Affairs and Cultural Foundation — and we have been working at its downtown venues on a recurring basis since 2023. The festival does not run on a single stage: four parallel venues, four very different sonic tasks — the stone-floored, long-reverberant interior of the Kálvin Square Reformed Church; the 300-seat galleried ceremonial hall of the Ráday House; an outdoor street music programme on Kálvin Square where the acoustically-played instruments only need vocal level support; and an intimate outdoor jazz courtyard near Kálvin Square. The task is holding a consistent standard across four acoustically and stylistically very different spaces, within a single festival weekend — with one team and one organisational frame.
Each venue runs on its own system design and its own logic. In the church, directional coverage shaped to the stone-floored, reverberant acoustic — d&b E12 in 2023 (with d&b D80 amplifiers); PS Audio CX from 2024 (with Chevin amplifiers) — with a Yamaha TF1 at FOH. In the Ráday House ceremonial hall, a complete sound system (d&b E12 in 2023; d&b V7P + V Sub from 2024, on d&b D80 amplifiers), with a Behringer Wing FOH in 2023–2024 and a Yamaha DM7 from 2025, with a Yamaha DM3 on monitors throughout; the venue's motorised LED wall — content management and operation included — is also Pantheon Sound's responsibility. On the Kálvin Square street music programme, a PS Audio CX121 top (no sub, on Chevin amplifiers) delivers vocal level support over the acoustic instruments, with an Allen & Heath CQ18-T at FOH. On the jazz courtyard, a PS Audio CX121 + BPH21 sub configuration on Chevin amplifiers, with a Behringer X32 Compact at FOH.
Across three consecutive years (2023–2025) we delivered the full sound system design and implementation for four parallel downtown venues — the setup was refined further each year. We consistently receive outstanding feedback on our d&b systems from the client, from the touring engineers arriving with the bands, and from the audience alike; the engagement renews year after year.
Sports Event
European Masters Throwdown (EMT) finals
European Masters CrossFit championship — recurring audio production engagement in Budapest since 2022
European Masters Throwdown (EMT) is a European-level Masters CrossFit championship, and we have been delivering its annual Budapest final since 2022. At a CrossFit competition, the challenge lies in combining the floor's high noise floor — athletes, equipment — with the simultaneous audio demands: targeted music that supports athlete motivation and intelligible announcements, at the same time, in the same space.
Three-zone system design (competition floor, audience, announcer position) — each zone with independent levels, with background music and announcements on separate channels. A technical package fitted to the production framework and the venue each year: PS Audio CX rig with Chevin amplifiers in 2022–2024, dB Technologies ES1203 active column arrays from 2025; Allen & Heath CQ18-T and SQ-5 digital FOH consoles; Shure SLXD and ULXP wireless microphones with antenna splitting and active directional antennas. Cost-conscious production — analog multi-cable infrastructure instead of Dante.
EMT has been a recurring annual engagement since 2022: we have delivered every final's audio production to date. The venue has scaled with the production's growing demands — from the lower hall of the Papp László Sports Arena to Soroksár Sports Hall to the Gyál Sports Hall — and the rig has been refined alongside, cost-consciously and scalably.
1st Halma Cup — Inter-Club Dance Competition
72 couples, 21 events, one-day programme
The 1st Halma Cup inter-club dance competition ran as a one-day programme with 72 couples and 21 events at the old metal-roofed sports hall in Jánoshalma. The venue has no built-in stage — coverage of the dance floor had to be solved without restricting the dancers' movement, while keeping announcements and the competition music clear at every point of the floor. The 21 events required rapid music changes and immediate transitions to announcements.
We installed complete sound and lighting: a digital mixing console, wireless microphone systems for the head judge and the jury, and a full lighting rig — moving head spot and wash fixtures, LED par cans, strobe and hazer. We positioned the loudspeakers at the edge of the floor, outside the dancers' paths, so that coverage was even across the whole area. Competition music playback and announcements were handled against a pre-agreed workflow, keeping the flow smooth through the rapid programme transitions.
The competition's full programme finished on schedule, announcements and competition music arrived clearly at every point of the dance floor, and the loudspeaker placement did not restrict the dancers' movement.
Music production collaborations
We work as a regular technical partner on productions for artists of Magneoton and Art Flow Music — including shows by Szlimmy, Beretka Ádám, B.Nagy Réka, Ullie and others. During 2025 we provided service work for Wolf Kati's production, standing in for the permanent crew; in that period we also mixed a live broadcast that aired on Retró Rádió, among other engagements.
Live radio broadcast excerpt (YouTube) →Interested in a similar project?
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